For obvious reasons, a number of people have asked me about the Ritas over the past few days, and, during one particular conversation, I answered very rudely that I didn’t give a rat’s butt about contests, and even less about the Ritas. But, then afterward, I considered my response—because that’s what I’m trying to do these days, be a better person by figuring out why I do and say the things I do. So I figured I’d put some words together to iron out my very strong feelings about this contest, for me personally and for those who are trying to reform the Ritas
So here I go, opening a vein: I’ve been in this industry for nearly 30 years. I was an early member of RWA, having joined them immediately after selling my first book in 1989. I even helped found the Lowcountry Chapter, along with Pamela Morsi and Carolyn Davidson. In the beginning, I was super excited about the prospect of mingling with other like-minded humans, all striving to do the same thing I was doing: writing, and striving to write better. But I’m going to skip through that part of this right now—skip right through all the million conferences I attended, and all the petty grievances and dashed hopes. In fact, I’m going to skip through most of my grievances, because I’m 56 now, with ailing friends and family, and none of this really matters.
So here’s the short version: I joined RWA at 27, full of high hopes, and soon realized that in order to get nominated for an award, or to be recognized in any way through RWA, you had to be an RWA Darling, and I was not. Why that was, I can’t say. Maybe it was because I was a little shy. Maybe it was because I was young and some people perceived (and yes, actually said out loud) that I didn’t earn my spurs because I was too young and/or too cute. Maybe it was because I was a minority (born in Spain to a Spanish mother). Who can say. I don’t care about the WHYs, only about the WHAT right now. And
And now I’ll tell you why I felt that way: My best friend was an RWA Darling (and I don’t say this disparagingly – I wanted to be one!), and I could easily compare our experiences. We joined RWA at the same time, attended all the same conferences, met the same people. Until a certain point, she and I, we were equally involved in the organization, and I know this because we did nearly everything together back in those days, including sending gifts to other members who needed a pick me up. On one such occasion, she and I chipped in for a coffee and flower arrangement to someone who is no longer with us and who will remain nameless, because she’s not the point. She’s only one of a hundred instances that helped shape my overall feelings about RWA. Pam got the “thanks” for that gift, even though both our names were on it, and I think on this occasion it might have even been my idea. On the other hand, I didn’t get
On another occasion, when a beloved member’s policeman husband died in the line of duty, I immediately sent $500 to a fund that was started for her. However, because I didn’t join an organization-wide effort to critique manuscripts at $20 a pop to be donated to this grieving widow, I didn’t get even a simple thank you—from ANYONE, not even the widow—even despite that I’m pretty sure the donation, made in my name (which is not a pen name), must have been visible to anyone with access to that bank account. Sometime later, there was a plaque or something (maybe it was simply a digital plaque in the magazine) acknowledging the generous spirit of our organization and thanking those who donated. I was excluded from that list, and my best friend pleaded with me to speak up. I did not, because in my opinion, if you give, you give from the heart, and while it did sting not to be recognized when I very likely gave more than anyone else, ultimately I gave because I felt compelled to help a fellow human being, not because I wanted recognition. So, in the end, I kept silent. And, if you’re wondering why I’m bringing up this particular grievance now when I said I wasn’t going to bring up grievances, I’ll tell you why I’m highlighting this instance. I’m highlighting it because, every year up until this point my publisher had entered my books into the Ritas, and every year, my best friend was nominated, and some years she won, while I never, ever, ever had a single nomination, not ever. Not from a jury of my peers.
On the other hand, I earned reader recognition and nominations by the dozens, and my books were selling so well that Avon chose me to launch an entire imprint based on the strength of my sales. So, maybe I was never nominated for a Rita because I sucked as a writer. Maybe. But I don’t think so, and, in any case, I realized something that year that I donated the $500 without thanks. I realized I didn’t participate in the critique effort, because the treatment I received as a member was undermining my sense of self, my sense of accomplishment, and even my confidence as a writer. My involvement in RWA eventually contributed to a 10-year sabbatical from writing entirely.
In the end, I realized that, at its core, RWA and the Ritas were a detriment to my wellbeing, and I gave myself permission to stop doing ALL things that didn’t enrich me as a person and as a writer. Judging by some of the blogs I’ve been reading, I know I’m not the only one who feels this way. I also know very well that this feeling is not shared by all my peers. I have close writer friends who swear by RWA and who will forever tout all the wonderful things RWA did for them. My best friend is one of those people, and I’m happy for all of those who felt enriched by the organization. But, for me, there is a different perception, because I couldn’t imagine giving more of myself at a time when I had a draining career, two kids and a life outside of RWA. RWA never gave one thing back to me, and that’s not an exaggeration. As an organization, it took and took, but never gave. The only thing I ever took from RWA were the relationships I made. But, in the end, I did that. Not RWA. At most, it offered me a location where everyone could be found in one place. And that’s no small thing, so I’m grateful for that.
However, when I look back at RWA, even from the perspective of my friend, the Darling, I saw incredible distress in her at EVERY CONFERENCE. Often, there were tears. And so, I developed a larger distaste for contests in general, realizing that whatever the dynamic created by Ritas and other contests of its ilk, it wasn’t healthy, not even for Darlings, and certainly not for those, like me, who felt invisible and unappreciated. I mean, thank God for my readers, my editors, and friends, because without them, I wouldn’t have lasted five minutes in this industry given the “help” I received from RWA. Sorry, folks. That’s how I feel. And, as they say, with friends like that, you don’t need enemies.
In the end, this post might not go over well with some people, but before you write to tell me how much RWA helped you, let me repeat: THIS. IS. HOW. I. FEEL. I’m so happy you got something different. Truly. But THIS. IS. HOW. I. FEEL. And maybe if you ask my friends, you’ll get another, no less valid answer, but THIS. IS. HOW. I. FEEL.
So, now, while I’m seeing so much dissent, once again, over the Ritas, I’m sorry, but I don’t give a rat’s butt about that contest. To me, it has always been nothing more than a popularity contest.
Has it helped shape some people’s careers? Maybe. How would I know? It wasn’t my experience. Has it hurt others? Yes. It hurt me. Does that mean RWA holds nothing for the industry or the world at large? No, I don’t believe that at all. Essentially, that’s why I returned, in the hopes of seeing it grow into something better than it was. But even despite that, I’ve yet to return to a conference, and I have to ask myself why.
There is so much good about our organization—the literacy efforts, the teaching moments, the opportunities for networking and growth—but the Ritas are simply not part of that picture, for me.
So, I’ll say it again. I don’t give a rat’s butt about the Ritas. I don’t care if they stay, I don’t care if they go. I simply don’t care. However, if it’s going to stay, maybe as an organization, think twice about its role in the industry and in the organization, because, even now, there’s a new crop of talent emerging and they need something better than what we’ve got, not the slow decay of their spirit. Coming from someone who was not a Darling, let me tell you, it’s a very real thing, and it took me years to shake off. So what’s the answer? I don’t know. But maybe begin by asking yourselves what’s at the heart of the Ritas, and maybe do what I do when I am trying to figure out what stays and what goes in my life… consider the pros and cons, and if the pros aren’t greater than the cons, let it go.
Tanya,
I feel terrible hearing this. I was involved in and maybe even headed a fund-raiser for Lucy from RomEx. I honestly can’t remember if we sold critiques for that one. I know we did for Trish, and two other people and I organized that one. I don’t handle money for things like that, because I’m really bad at it.
I can tell you we were not well-organized. We put things together quickly, and especially with the one for Trish, it just took off and grew much bigger and more involved than we ever imagined. (And we raised a lot more money than we ever imagined, too.) We were scrambling daily for weeks to handle it.
I don’t remember listing people’s names anywhere except when we were trying to sell critiques, because we were trying to find people to buy those critiques.
But I feel terrible that no one thanked you for that donation and that it made you feel unappreciated and unrecognized. If it was the Lucy fund-raiser we did, please know that it likely happened because of our disorganization rather than a lack of appreciation. We heard about Lucy’s husband, wanted to do something and just rushed off to do it.
I’m so sorry it made you feel so bad.
I can’t swear it was Trish, though that rings a bell, but I know it wasn’t Lucy. Thank you, Teresa. Honestly, I didn’t bring that up so much to call anybody out, nor would I have brought it up if it were a one-time occasion. It was the theme of my RWA life, and it’s my RWA perspective. I thought it might help others to hear it.
I should also say thank you for caring enough to send a hug, Teresa. Hugs back at you, lady.
I know why you did it. Still wanted to apologize. The Trish thing got huge. We raised more than $20,000, and the fund-raiser we’d done before it only raised $2,500 or so.
When we started Trish’s, I thought maybe we could double the amount of the previous one — that’s how ready we were to take it on. I remember hearing about a few large checks, and from there on, it was just, OMG, look how much money we raised now!
I just hope that memory doesn’t sting anymore for you.
This absolutely crushes me! Your talent as a writer is unbelievable! I guess I just don’t know enough “behind the scenes” activity. This along with Nora Roberts sharing how many authors are hurting from others stealing their stories just appalls me!
Hugs, Julia, and thank you.
You didnt then nor do you now need any help from any organization to bring about good things for you. Your writing has done that for you. And how proud should you be of that? I hate that your experience was so negative but if you ever need affirmation of your career just look at your fans. We love you. We love your stories. Now, having said all that, I’m envious that you can be 56 and not look older than 36.
I love your stories and I’m such a fan!
Thank you, Layne! Thank you for all your kind words. Sending you big hugs, my lady!
I guess I’m incredibly naive, or was always a cock-eyed optimist, but when I entered the RITAs, I did it with the expectation that my book was being judged on its merits, not by whether a judge knew and/or liked me or cared about my race/religion/gender. I judged the same way. I didn’t care who wrote the book. I judged the book. I can name on the toes of one hand (yes, I mean that) the number of author’s names I recognized in the books I received from RWA. If I looked anyone up at all, it was after I’d finished judging everything RWA sent me and was curious about the author of a book I especially adored.
I’m so sorry you’ve had the experience you’ve had. You’ve obviously been closer to seeing the sausage made–and clearly, it has not been a pretty sight. My ignorance has been bliss, but that’s over.
Kudos, girl. That attitude/atmosphere described in your post has been experienced by several, who by the way have gone on (you are an example of this), to have very successful careers as writers. In the end (no butt comment here), what matters is connecting with the readers. You’ve done that, so have others. Contests by the very nature of them have a way of giving accolades to one at the expense of others with a very subjective opinion, and as sensitive souls (that’s the well we draw from as writers), the message that’s sent to those who don’t ‘win’ can be very painful. The truth is, as writers, we are in a contest with ourselves every day in what we create and always try to do better, and that is what makes a winner.
Thank you, Carla. And I agree. I learned pretty early that my competition with myself was tough enough and that if I added anyone else to that mix I was going to end up insane. 😉
Thank you for frankly sharing your feelings. As a writer of eleven novels, I feel the same, but for different reasons. My quarrel with RWA and its conference is the cost. Membership is $99 and a $25 “processing” fee. Early bird registration for the conference is $499 and if I were to register now it would be $549. None of that is counting airfare to New York and hotels! On top of all that, there’s also a $50 entry fee for RITA contest. So, membership and the conference are obviously targeted toward wealthy authors. How many NEW authors, who are the ones who need what the conference offers the most, are able to attend? How many relatively successful authors are willing to shell out several thousand dollars to attend? Not me! I’ve only been to an RWA conference once and that was when it was held near my home. While I enjoyed being there and benefitted from the classes, It was not worth the cost. So the next year I did not rejoin RWA. Like you, I will continue to write books because I listen to my reader reviews. They inspire me and are the most important recognition anyway!
Dorothy Wiley
P.S. As a reader, I’ve truly enjoyed your books! Thank you!